about contact
Muscle Memory/Holy Goodnight by The VibrationEP1 (untitled) by JavelinMother by Susumu YokotaMother by Susumu YokotaTerminal 3 / 2 Da Floor by RuskoI Can't Give You Up by Smoove & TurrellI Can't Give You Up by Smoove & TurrellRed Velvet by Red VelvetRed Velvet by Red VelvetLunglight by The Shaky HandsOne Night In New York City by Various ArtistsBaby Show Vol.1  by Fabor E Le Sue TastiereBaby Show Vol.2 by The SwingersHumour Per Grandi E Piccini by FabourLibrary / Call the Incredible by SeelandLittle BIG Music: Musical Oddities From And Inspired By Little Big Planet by The Daniel Pemberton TV OrchestraChristmas TV by Slow ClubDiamonds, Furcoats, Champagne by Primal Scream, Suicide and Conrad StandishFrankie Teardrop by Lydia Lunch and SuicideIf Ya Can't Beat Em by ResoIf Ya Can't Beat Em by ResoDust Till Dawn: 10 Years of Drop Music by Various ArtistsOne Night In San Francisco by Various ArtistsBe Arisionable Vol.2 by Various ArtistsThe Versailles Sessions by MurcofThe Versailles Sessions by MurcofSing What You Want by KotchyLive at Klub 007 by Gallon DrunkSweet Disease by SamsaSing What You Want by Kotchy
To You In Alpha

To You In Alpha

a review by simon hopkins of
release format To You In Alpha by Scala On The Rocks (CD Album)

text

Back around '96, isolationist electronicists Seefeel were a hot act to follow, with two albums - Too Pure's Quique and Warp's Succour - suggesting a wealth of dark atmospherics to come. Sadly though, the group disbanded shortly afterwards. Two groups of significance have formed from the group's ashes: Mark Van Hoen's Locust and Daren Seymour and Sarah Peacock's Scala, a very different beast indeed. To You In Alpha is effectively Scala's "proper" debut, though an album of the band's demos appeared on Michael Harding's post-industrial/experimental label Touch sometime last year. Well, produced by Spiritualized and Spring Heel Jack producer Mads Bjerker, TYIA is an extraordinarily accomplished pop record. Dark, of course, and with guitarist Simon McLean along for the ride, often rather noisy, but pop nonetheless. The songs are pretty willfully eclectic, and recall, between them, Morcheeba, Massive, Tricky, Lamb and - to these ears in particular - Laika, but such comparisons hardly do Scala justice, as they are very definitely their own people. Peacock's voice is a joy - incongruously both malevolent and beautiful - and its settings are finely crafted throughout. This deserves very wide recognition indeed.

Posted by simon hopkins at 00:00, 03 Dec 1998