about contact
Muscle Memory/Holy Goodnight by The VibrationEP1 (untitled) by JavelinMother by Susumu YokotaMother by Susumu YokotaTerminal 3 / 2 Da Floor by RuskoI Can't Give You Up by Smoove & TurrellI Can't Give You Up by Smoove & TurrellRed Velvet by Red VelvetRed Velvet by Red VelvetLunglight by The Shaky HandsOne Night In New York City by Various ArtistsBaby Show Vol.1  by Fabor E Le Sue TastiereBaby Show Vol.2 by The SwingersHumour Per Grandi E Piccini by FabourLibrary / Call the Incredible by SeelandLittle BIG Music: Musical Oddities From And Inspired By Little Big Planet by The Daniel Pemberton TV OrchestraChristmas TV by Slow ClubDiamonds, Furcoats, Champagne by Primal Scream, Suicide and Conrad StandishFrankie Teardrop by Lydia Lunch and SuicideIf Ya Can't Beat Em by ResoIf Ya Can't Beat Em by ResoDust Till Dawn: 10 Years of Drop Music by Various ArtistsOne Night In San Francisco by Various ArtistsBe Arisionable Vol.2 by Various ArtistsThe Versailles Sessions by MurcofThe Versailles Sessions by MurcofSing What You Want by KotchyLive at Klub 007 by Gallon DrunkSweet Disease by SamsaSing What You Want by Kotchy
Futuremusik

Futuremusik

a review by simon hopkins of
release format Futuremusik by Peter Thomas Sound Orchestra (CD Album)

text

More unearthed, unlikely gems from kitschedelic paleontologists Scamp. Organist and bandleader Peter Thomas, was, according to this handsomely-packaged collection's sleeve notes, to Germany what Mancini was to the US, Morricone to Italy, John Barry to the UK and Jean Jacques Perry to France. Rather grand claims, and not entirely born out here, but for all that, Futuremusik is well worth a listen, if only to see what kind of music spawned the careers of, among others, Jan "Miami Vice" Hammer, Sigi "Vampyros Lesbos" Schwab and Amon Duuel II's Lothar Meid. This collection brings together work written in the 60s and 70s for sundry German TV sci-fi and horror productions. What really impresses here is the range of the sound palette, from surf guitar to jazz organ, psychedelic electronics to lush string orchestras: James Last on acid. A blast.

Posted by simon hopkins at 00:00, 03 Dec 1998