about contact
Muscle Memory/Holy Goodnight by The VibrationEP1 (untitled) by JavelinMother by Susumu YokotaMother by Susumu YokotaTerminal 3 / 2 Da Floor by RuskoI Can't Give You Up by Smoove & TurrellI Can't Give You Up by Smoove & TurrellRed Velvet by Red VelvetRed Velvet by Red VelvetLunglight by The Shaky HandsOne Night In New York City by Various ArtistsBaby Show Vol.1  by Fabor E Le Sue TastiereBaby Show Vol.2 by The SwingersHumour Per Grandi E Piccini by FabourLibrary / Call the Incredible by SeelandLittle BIG Music: Musical Oddities From And Inspired By Little Big Planet by The Daniel Pemberton TV OrchestraChristmas TV by Slow ClubDiamonds, Furcoats, Champagne by Primal Scream, Suicide and Conrad StandishFrankie Teardrop by Lydia Lunch and SuicideIf Ya Can't Beat Em by ResoIf Ya Can't Beat Em by ResoDust Till Dawn: 10 Years of Drop Music by Various ArtistsOne Night In San Francisco by Various ArtistsBe Arisionable Vol.2 by Various ArtistsThe Versailles Sessions by MurcofThe Versailles Sessions by MurcofSing What You Want by KotchyLive at Klub 007 by Gallon DrunkSweet Disease by SamsaSing What You Want by Kotchy

Little Green Lights & Four Inch Faders

a review by gil gershman of
release format Little Green Lights & Four Inch Faders by John Tejada (CD Album)

text

Los Angeles producer Tejada has been releasing armloads of consistently sharp tech-house 12"s and, with precious little hype or ego, slowly but steadily attracting a following befitting his reputation as one of our eminent techno stylists. For the second time, the honor of sharing Tejada's talent with devotees whose digital inclinations preclude them from keeping pace with his impressive volume of vinyl offerings falls to Essex's A13 Records. The same label had earlier released Tejada's electrifying Lucid Dream material, and whereas Little Green Lights... puts the "house" in bold print and italicizes the "techno" - perhaps house-tech would be more appropriate - the album doesn't otherwise deviate recklessly from Tejada's well-established template. His music is about solidity and consistency. Tejada experiments freely with effects and filters but does so without calling undue attention to procedure. The rolling momentum of the album doesn't halt just so that a "Green Fingers" or an "In Control" can pass through particular gates. These things just happen, part of the flow of the record, and they feel completely natural when they do. The album doesn't spread itself all over the map - the terrain encompassed here is actually quite limited - but each track bristles with attractive hooks and attentively crafted, mutable rhythms. If your preferred mode of electronica requires a calamitous breakdown of song and structure, Little Green Lights... probably will not be the record to turn you into a raving house-phile. If what you're looking for, however, is an actual album - not a collection of old tracks pasted together with filler, but an hour where equal time and care has obviously been lavished on each beat and every turn of melody - you'd be hard pressed to find a better full-length portion of contemporary dance music.

Posted by gil gershman at 00:00, 12 Apr 1999