about contact
Muscle Memory/Holy Goodnight by The VibrationEP1 (untitled) by JavelinMother by Susumu YokotaMother by Susumu YokotaTerminal 3 / 2 Da Floor by RuskoI Can't Give You Up by Smoove & TurrellI Can't Give You Up by Smoove & TurrellTravels into Several Remote Nations of the World by Yellow Moon BandRed Velvet by Red VelvetRed Velvet by Red VelvetLunglight by The Shaky HandsOne Night In New York City by Various ArtistsBaby Show Vol.1  by Fabor E Le Sue TastiereBaby Show Vol.2 by The SwingersHumour Per Grandi E Piccini by FabourDiamonds, Furcoats, Champagne by Primal Scream, Suicide and Conrad StandishFrankie Teardrop by Lydia Lunch and SuicideHymns A Swinging by The Mike Sammes Singers & The Ted Taylor OrgansoundMilky Disco 1.5 by Various ArtistsGareth : The Early Years EP by The Late GreatsLibrary / Call the Incredible by SeelandLittle BIG Music: Musical Oddities From And Inspired By Little Big Planet by The Daniel Pemberton TV OrchestraThe Fuzzy Feeling EP by Various ArtistsChristmas TV by Slow ClubIf Ya Can't Beat Em by ResoIf Ya Can't Beat Em by ResoDust Till Dawn: 10 Years of Drop Music by Various ArtistsOne Night In San Francisco by Various ArtistsCity Of Christmas Ghosts by Goldblade and Poly Styrene
Future Hits Vol. 1

Future Hits Vol. 1

a review by David Cotner of
release format Future Hits Vol. 1 by Neck Doppler (CD Album)

text

Another very well-produced cdR - this one has the Consume label's name printed out on that sticky tape with the raised letters, as used on many office products.

It's very clean, which counts these days, believe it or don't. Echoey drums and vocals urgently exhort on to "listen". The vocals are rudimentary, brutal; cut off suddenly in some cases. It's as if these are little songs that have been marinating in ruminations all day, buzzing around in the head and neck of Mr. Doppler, and this is his way of exorcising these annoying little demons.

Distorted voice and laser beam percussions now, amidst the smoke of the odd-timed melody and incongruous piano. Scratching and xylophonies now, underscoring a certain amount of reality that is kept. "All Coming Back To Me Now" features the speeding beat and a voice cutting itself to confetti. It all winds up with "Degenerate", and actually, it's listed as "DeGeNeRatE" on the sleeve - the change in lettering more or less crystallises the tenor of the tones eloquently.

Posted by David Cotner at 15:30, 05 Jun 2002