about contact
Explorer's Club : 12. Nuuk - London by Vincent Oliver, Supertalented, Inch-time and Sone Institute1000 Pictures by YousefExplorer's Club : 11. Montreal - Nuuk by Orla Wren, Jessica Constable, Plusplus, Hybernation and Fránçois And The Atlas MountainsChristiania by Napoleon IIIrdVolta by Stylus RexOn This Island by 6 Day RiotI Can't Take My Eyes Off You (Off You) by Avrutin and Charlie JamesHavai by Babe, TerrorClassical Music by Family FodderClassical Music by Family FodderNever Sleep by The Woe BetidesThe Reason Why / Stomp That / Brown Sugar by Nicole MoudaberTrails EP by BD1982He Who Travels Far by HanggaiDois Selos Um Carimbo by DeolindaHe Who Travels Far by HanggaiDois Selos Um Carimbo by DeolindaMade by Friends by AjabezTrouble by Ben GomoriJesus Wept by The Piney Gir Country Roadshow and Piney GirTake Me by 6 Day RiotExplorer's Club : 10. New York - Montreal by Klima, Andy Nice, Isnaj Dui, Søren Bigum and Moogie JohnsonBerline by Darling FarahNever Sleep by The Woe BetidesTrails EP by BD1982Swallow Your Soul V.I.P by PeckersNine Up / Facebook Stalker by Illfigure and The Grandad

Jeremy Bible & Jason Henry, Vryashn (CDR Gears of Sand)

text

The present reviewer must confess to having no idea of this duo´s track record, but artistically at least it looks like a case of the old ketchup-effect: nothing, nothing for a long time and then suddenly, splat! Five releases on three different labels, including their own, in a matter of a few short months.

Vryashn is presented as an "avant-garde sound experience" intended for deep listening. A tad generic as a description, but then the two extended pieces on this album really need no further introduction or setting of the scene. What Bible and Henry have created speaks for itself, and it does so softly and with great authority.

I fell for the first piece directly. In its slow, organic growth it displays compositional maturity and dexterity. Vast grainy spaces shift as viola and cello sway back and forth, the elements become integrated and build a perfect whole. I am almost sad to have it come to an end. It is a space for quiet contemplation and reflection, as sparse and sacral as a Zen garden.

Initially I found myself indifferently disposed toward the second, half-hour long piece, which would seem to be an altogether different animal than its predecessor. Instead of floating in glorious stasis, it is more of an off-kilter collage; this must be the "avant-garde" bit promised by the press release. I´m still not really enjoying myself - until around the seventeenth minute when what sounds like an orchestra schooled in nothing but holy mininalism begins to swell and we are back in territory much more familiar and, to be honest, much more worthwhile your time.

Having also recently heard Bible and Henry´s "Marker" on Gruenrekorder, I know they are dedicated field recordists, but I prefer their talent at creating mood, sustaining techniques, sounds bleeding into one another, shifting colour. And the first seventeen minutes of that second track simply seem out of place on Vryashn. Excise them and you have what in my opinion is one of the most polished musical moments of a year quickly approaching its end.

Posted by Stephen Fruitman at 06:45, 05 Nov 2008