about contact
Muscle Memory/Holy Goodnight by The VibrationEP1 (untitled) by JavelinMother by Susumu YokotaMother by Susumu YokotaTerminal 3 / 2 Da Floor by RuskoI Can't Give You Up by Smoove & TurrellI Can't Give You Up by Smoove & TurrellTravels into Several Remote Nations of the World by Yellow Moon BandRed Velvet by Red VelvetRed Velvet by Red VelvetLunglight by The Shaky HandsOne Night In New York City by Various ArtistsBaby Show Vol.1  by Fabor E Le Sue TastiereBaby Show Vol.2 by The SwingersHumour Per Grandi E Piccini by FabourDiamonds, Furcoats, Champagne by Primal Scream, Suicide and Conrad StandishFrankie Teardrop by Lydia Lunch and SuicideHymns A Swinging by The Mike Sammes Singers & The Ted Taylor OrgansoundMilky Disco 1.5 by Various ArtistsGareth : The Early Years EP by The Late GreatsLibrary / Call the Incredible by SeelandLittle BIG Music: Musical Oddities From And Inspired By Little Big Planet by The Daniel Pemberton TV OrchestraThe Fuzzy Feeling EP by Various ArtistsChristmas TV by Slow ClubIf Ya Can't Beat Em by ResoIf Ya Can't Beat Em by ResoDust Till Dawn: 10 Years of Drop Music by Various ArtistsOne Night In San Francisco by Various ArtistsCity Of Christmas Ghosts by Goldblade and Poly Styrene
Mani

Mani

a review by Erkki Luuk of
release format Mani by Dorine Muraille (SP05)

text

For those of you who've happened to hear Oval, Fennesz, Jan Jelinek's 'Loop-finding Jazz Records' or John Wall's superb 'Constructions', Dorine Muraille won't be a big surprise. Similarly to these artists he cuts up pre-existing tracks and processes them in the computer. What sets Muraille apart from the abovementioned is that his sound sources are quite recognizable (in a broader sense, not that I know anyone specifically). Somehow I don't think all these folk, trad singers and musicians, or whoever make their abrupt appearances on this CD, would have approved their erratic autopsy.

On the other hand, Muraille's mild and accessible sources give the recording a more relaxed and natural feel under the series of edits. Still, being perhaps too disturbing and erratic, it won't make a good background listening. What I suggest instead is to listen to it with your headphones. This will bring out a whole new sonic spectrum, a hidden plethora of mysterious signals entering from every direction, so that (having now hopefully given your brain something to chew upon) you can let your bodily form quite obliviously loose on the damp streets of the winter of discontent.

Posted by Erkki Luuk at 17:53, 24 Jan 2003