about contact
Muscle Memory/Holy Goodnight by The VibrationEP1 (untitled) by JavelinMother by Susumu YokotaMother by Susumu YokotaTerminal 3 / 2 Da Floor by RuskoI Can't Give You Up by Smoove & TurrellI Can't Give You Up by Smoove & TurrellTravels into Several Remote Nations of the World by Yellow Moon BandRed Velvet by Red VelvetRed Velvet by Red VelvetLunglight by The Shaky HandsOne Night In New York City by Various ArtistsBaby Show Vol.1  by Fabor E Le Sue TastiereBaby Show Vol.2 by The SwingersHumour Per Grandi E Piccini by FabourDiamonds, Furcoats, Champagne by Primal Scream, Suicide and Conrad StandishFrankie Teardrop by Lydia Lunch and SuicideHymns A Swinging by The Mike Sammes Singers & The Ted Taylor OrgansoundMilky Disco 1.5 by Various ArtistsGareth : The Early Years EP by The Late GreatsLibrary / Call the Incredible by SeelandLittle BIG Music: Musical Oddities From And Inspired By Little Big Planet by The Daniel Pemberton TV OrchestraThe Fuzzy Feeling EP by Various ArtistsChristmas TV by Slow ClubIf Ya Can't Beat Em by ResoIf Ya Can't Beat Em by ResoDust Till Dawn: 10 Years of Drop Music by Various ArtistsOne Night In San Francisco by Various ArtistsCity Of Christmas Ghosts by Goldblade and Poly Styrene
Metamorphosis

Metamorphosis

a review by Stephen Fruitman of
release format Metamorphosis by Joan Jeanrenaud (NA120)

text

First released in an unassuming, self-published version, the good people at New Albion with their discriminating taste caught the buzz and refused to let Joan Jeanrenaud hide her light under an Internet-order only bushel, giving 'Metamorphosis' the wider commercial release it deserves.

If Jeanrenaud needs any presentation, then you don't read liner notes very closely. She anchored The Kronos Quartet - the world's most inquisitive string quartet ever - for some twenty years with her commanding cello, finally choosing to leave in 1999 to follow her own star. If anyone balks at the idea of a full hour of solo cello, then they ought to be forced into an easy chair to listen to 'Metamorphosis' and have their eyes and ears opened. Jeanrenaud complements her both bold and graceful stroking and plucking of the instrument with judiciously applied electronics, computer aids and overdubbed or "looped celli" on all six stellar tracks.

These tracks are by Philip Glass, Hamza El Din, Joan herself and composers Steve Mackey, Karen Tanaka and Mark Grey. Joan's own track mutates amazingly as she adds the above-mentioned "looped celli" sound to an otherwise calm and pretty piece so that by the end you'd swear it was Buckethead soloing. But your fur will be stroked most lusciously by her vigorous interpretation of El Din's "Escalay". An enormously satisfying record.

Round about the same time as this CD saw the light of day, Joan collaborated with pianist Michael Halaas on his fourth solo CD, 'The Lucidity Project' (self-released and available through http://www.birdscanfly.com). Colorado-based Halaas has many years of classical training on his CV as well as a stint with a folk-rock duo. On 'The Lucidity Project' he alternates thunderous expressionism with gentle, New Age introspection. Well-composed - all the pieces are written by Halaas except one entry by Jeanrenaud - and skillfully played, 'The Lucidity Project' manages to range over a plethora of moods while maintaining, through the mountain-air clarity of the piano, a sound of its own and a distinct artistic vision. The duo respond beautifully to one another and it is hoped that this will not be just a one-off affair. And just bye the bye, Halaas designed the lovely jackets for both these CDs.

Posted by Stephen Fruitman at 17:52, 16 Jul 2003