about contact
Muscle Memory/Holy Goodnight by The Vibration89 by KotchyMiracle Kicker by Dark Captain Light CaptainTriple Distilled by Graham Day And The GaolersTriple Distilled by Graham Day And The GaolersButterfly  by AzymuthJealous Enemies by Dark Captain Light CaptainNew Music for Brass Band by Foden's Richardson Band and Bramwell ToveyNew Music for Brass Band by Foden's Richardson Band and Bramwell ToveyLaila by Shahin BadarFirst Light - Single by Turner CodyO by Tilly And The WallWorld I See by The PresentTones Drones & Broken Bones by Kobra Audio LabsFar Out Bossa Nova by Various ArtistsShe Made It Easy by KotchyDirt Don't Hurt by Holly Golightly and The BrokeoffsDirt Don't Hurt by Holly Golightly and The BrokeoffsCandy by SpookyBuilders Brew by The ChapShe Made It Easy by KotchyThree Blind Mice EP by Terry Edwards And The ScapegoatsThe Ice Pick EP by Shusi KhijadaBoy, Did She Teach You Nothing? by AbsenteeLost-Wax by Lena & The Floating Roots OrchestraObject 47 by WireMy 45 by Holly Golightly and The Brokeoffs
Pardon My French by Cinélux (PAN005CD)

Pardon My French by Cinélux (PAN005CD)

a review by Erkki Luuk of
release format Pardon My French by Cinélux (PAN005CD)

text

The disk is the first emanation of 'Pardon my French' series, aimed at presenting new French artists with 5-6 original tracks and 5-6 remixes. Hailed as a 'metronomic post-rock' outfit, Cinelux inhabits the murky region bordering jazz, electronica and kraut. Ever so 'post' (whatever) in they sound, not ostensibly 'rock' though, Cinelux is a paradox – monotonous, lethargic drive of the intricate rhythms, thwarted by sudden hitting on brakes, effects and indistinguishable verbal contribution.

The laid-back atmosphere of, for instance, Machinedrum's remix of 'Hollis' is a product of jazz rhetoric merged with 'modern' cut-up and micro esthetics. Mitchell Akiyama's remix of 'Hydrocephalus Enjoyment' overlaps the genre territory of free jazz with experimental digital processing/distortion. Having seemingly mixed a few tracks into one, Tlone apparently rely on a melody-and-rhythm loop and torpid audience with their remix, whereas Cinelux originals tend to accentuate peculiar melodies and ryhtm details in nervous metronomic outpours. My guess, diagnose and file-under tag would be 'an undeniable potential for innovation in jazz circles'.

Posted by Erkki Luuk at 21:54, 09 Aug 2004