about contact
Muscle Memory/Holy Goodnight by The VibrationEP1 (untitled) by JavelinMother by Susumu YokotaMother by Susumu YokotaTerminal 3 / 2 Da Floor by RuskoI Can't Give You Up by Smoove & TurrellI Can't Give You Up by Smoove & TurrellTravels into Several Remote Nations of the World by Yellow Moon BandRed Velvet by Red VelvetRed Velvet by Red VelvetLunglight by The Shaky HandsOne Night In New York City by Various ArtistsBaby Show Vol.1  by Fabor E Le Sue TastiereBaby Show Vol.2 by The SwingersHumour Per Grandi E Piccini by FabourDiamonds, Furcoats, Champagne by Primal Scream, Suicide and Conrad StandishFrankie Teardrop by Lydia Lunch and SuicideHymns A Swinging by The Mike Sammes Singers & The Ted Taylor OrgansoundMilky Disco 1.5 by Various ArtistsGareth : The Early Years EP by The Late GreatsLibrary / Call the Incredible by SeelandLittle BIG Music: Musical Oddities From And Inspired By Little Big Planet by The Daniel Pemberton TV OrchestraThe Fuzzy Feeling EP by Various ArtistsChristmas TV by Slow ClubIf Ya Can't Beat Em by ResoIf Ya Can't Beat Em by ResoDust Till Dawn: 10 Years of Drop Music by Various ArtistsOne Night In San Francisco by Various ArtistsCity Of Christmas Ghosts by Goldblade and Poly Styrene
Solutiore of Stareau

Solutiore of Stareau

a review by Stephen Fruitman of
release format Solutiore of Stareau by Zammuto (CD Album)

text

The premiere release on Ohio record shop Rioux's new label Infraction, overseen by Jason Bryant (who also designed the suggestively-minimalistic cover art) is in fact a re-release. Several years back, Nick Willscher, trading under the name Zammuto, privately released an ambient trilogy, of which this disc is the first installment (the third disc was previously made more widely available on the Apt. B label).

The darkly quiet, enticingly distant landscape spread over fourteen tracks is in sum actually one long, seventy minute suite of some bonafide beauty, not entirely unlike the minimalist sounds recently generated by, say, Jonathan Coleclough.

The only problem this reviewer has with 'Solutiore of Stareau' is the fact that while this nimbly composed and subtle music eggingly draws the listener in, his willingness to enter into this alien landscape is often repulsed by recurring, out of synch metallic glitches (borrowed from Oval?) mixed way up front. This however is a personal prejudice; other listeners will perhaps find these electronic clicks to be rhythms by which to orient themselves. During roughly the last quarter of the piece, it becomes quite Enoesque, 'On Land'-ish, if you will.

In the final analysis, this is a strong, well thought-out piece of warm, subtle drones, fragile radio waves, and enough colour and slowly-evolving variation to keep listeners coming back for further journeys of discovery. It is only hoped that the second part of the trilogy is granted wider availability. Posted by Stephen Fruitman at 18:13, 28 Sep 2001